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Refashioning the Renaissance hosts panels in RSA Toronto

On the 17—19 March 2019, the Refashioning the Renaissance team took part of the the annual Renaissance Society of America conference, this year held in Toronto. Our project was very fortunate to get four panel sessions accepted into the conference program, focusing on different aspects of lower-class dress in Europe.

Our panels on Lower-Class Dress, Fashion and Identity in Europe, 1450–1650 took place on the first day of the conference, and included presentations from all the researchers of the team. Focusing on the Italian context, Paula Hohti presented the Refashioning the Renaissance project, and talked about fashion among artisans in Renaissance Italy, and how artisans were communicating how they wanted to be viewed by others. Stefania Montemezzo added to this by introducing an accounting book by Alessandro Vignarchi, and unspecialised trader who travelled in remote areas in Tuscan Apennines. She discussed the peddlers’ role as intermediaries between areas and markets in the spreading of fashion in especially rural areas in Italy. Furthermore, Michele Nicole Robinson examined cross-cultural exchange of dress and accessories seen in artisan inventories in Siena, Florence and Venice, with a particular focus on pearls.

We had a delightful turnout for our panels, and many stayed fro the whole day.

Focusing on England and Denmark, Sophie Pitman considered the urban dress among lower social levels of society, especially focusing on the social codes and attitudes towards fashion, as well as imitation materials. Lastly Anne-Kristine Sindvald Larsen discussed the influences of reformation in the dress of Danish artisans.

We were also were fortunate that so many scholars wanted to contribute to the discussion of dress of ordinary people, and present in our panels. This included scholars such as Joyce de Vries and Amanda Wunder, who focused on the clothing of women seen through Bolognese dowry inventories, and the clothing of the women who were admitted into the poor hospital, Hospital de la Pasión in Madrid, respectively. Francesca Canadé Sautman and Alisa M. Carlson touched on the role of hats and headdresses used by the lower levels of society, by discussing depictions of hats and headwear in the portraits painted by Hans Holbein the Elder in Augsburg, and the depictions of women’s linen head coverings in Europe, with an emphasis on Burgundy-Flanders.

Alisa M. Carlson, Francesca Canadé Sautman, Joyce de Vries, and Amanda Wunder.

After our own panels were successfully behind us, we were able to enjoy the rest of the conference. Some of our team members had been to previous RSA conferences, whereas for some this was the first time in a conference of this scale. The scope of the presentations and scholars from all areas of Renaissance studies made sure that there were at least three interesting panels going on in any given moment, and it was hard to choose where to go. It was a pleasure to meet so many old and new colleagues, engage in interesting discussions and enjoy the papers that shed light to so many various aspects of renaissance life. We look very much forward to next year´s conference!

Visit to the Turku Cathedral

On Wednesday 20 February 2019 our team members Piia Lempiäinen and Sophie Pitman travelled to Turku, the old capital of Finland, to visit the Turku Cathedral and their museum storage. The aim of this visit was to study the 17th century burial clothes collected from the cathedral graves in 1920’s, and especially the knitted stockings, for our upcoming citizen science project. Turku Cathedral Museum Intendant Elina Ovaska was kind enough to host us, and Conservator of Church Textiles Päivi Allinniemi from the Turun museokeskus joined us to study the stockings.

There are nine knitted and one woven stocking in the Turku Cathedral Museum collection, and we were able to study, measure, and photograph all of them, and take fibre samples of two of the stockings. While all the stockings originate from early modern graves from inside the cathedral, most of them lack dating. The only exception is the pair of knitted silk stockings found in the coffin of Elisabeth Bure, dated to 1650, a pair we are going to study and recreate in our citizen science project. These stockings are knitted with fine c. 0,7 mm needles in dark, lustrous silk, and feature beautiful decorative elements. We are commissioning fibre and colour analysis of these stockings to help us gain information on and reconstruct them.

We were very excited to visit the storage and were so thankful for all the help from Elina and Päivi! After our visit, Päivi transported the stocking from Elisabeth Bure’s coffin to Turku Castle, where everyone will be able to see this beautiful stocking on 8 Mar 2019–8 Mar 2020 in the A Few Words about Women exhibition.

Intendent Elina Ovaska showing some of the burial clothes in the Turku Cathdedral Museum storage.

Stockings, ribbons, and printed fabric.

Taking a sample from a stocking.

Detail of a stocking found in Elisabeth Bure’s coffin.

Exploring Northern Italy: Team Training Trip

Our Team in Venice.

On 6–12 May, the entire Refashioning team took part of a training trip in Northern Italy. The aim of this trip was to deepen our understanding of the production and use of textiles in Italy during the Medieval and Early Modern period, and to do so, we had decided to move across Tuscany, Emilia and Veneto, the main centres of Italian textile production.

Our week consisted of several formative activities that supported the aim of the trip. We started the week in Florence, one of the European capitals for the wool production in the Renaissance period. On Monday, we took a weaving course in Fondazione Arte della Seta Lisio, where our teacher, Angela Giordano, thought us different regional weaving techniques from Tuscany, Sardinia, Lombardy and Marche. We were excited to learn about the mechanics of different loom types and about the weaving process, and enjoyed the day of concentrated weaving.

Weaving workshop at Fondazione Lisio.

Hard at work.

On Tuesday, after visiting the Museo del Tessuto in Prato, we travelled to Bologna,where on Wednesday we visited the Museo del Patrimonio Industriale. The museum showcases the long industrial history of Bologna, such as the history of local silk production, which made Bologna one of the main European centres for silk production, specialising in in the manufacturing of veils, already during the medieval period. The museum retains a functioning copy of the Bolognese silk mill, one of the first examples of proto-industrial production, and it was fascinating to study the mill and afterwards see the canals that powered the silk mills.

1:2 scale silk mill model at the Museo del Patrimonio Industriale.

Bologna.

Moving North, Padova was our next stop. On Thursday we had a joint seminar with the Department of Historical and Geographic Sciences and the Ancient World (DISSGeA) of the University of Padua on Fashion and Popular Groups in Renaissance Europe. We met local scholars Andrea Caracausi, Salvatore Ciriacono, Mattia Viale and Francesco Vianello, who talked to us about the production and consumption of silk ribbons, the budget of Venetian artisans and the consumption of textiles of the Veneto women.  This opportunity to engage with other researchers and exchange ideas was one of the highlights of our trip, and presented interesting possibilities for possible future co-operation.

Professor Andrea Caracausi giving a presentation on ribbons.

Our team with local scholars in Padova.

To properly conclude our visit, of course, we stayed for two days in La Serenissima: Venice. On Friday, we visited Tessitura Luigi Bevilacqua, one of the oldest – and still active – weaving factories of the city.  We had the possibility to see weavers and looms (once used by the Silk Guild of the Republic of Venice) at work,producing the refined soprarizzo velvet, and to touch with our own hands fabrics made following ancient techniques. One of the most striking feature of the workshop was that many of the looms and tools were old, some even from the 17th century, and this gave us some kind of idea what a 17th century weaving workshop might have looked and sounded like.

At Tessitura Luigi Bevilacqua.

At Tessitura Luigi Bevilacqua.

Velvet in the making.

Pattern samples at Tessitura Luigi Bevilacqua.

Besides silk, we learnt a lot also about lace. We started our “lace journey” in Burano, at Museo del Merletto, where the production of lace concentrated in the 19th century, and concluded it at Palazzo Mocenigo, with a backstage visit to the museum collections. There our expert guide, Paola, showed us extant examples of Venetian lace from 16th to 20th century, and explained us in detail the history and the manufacturing process. As an extra treat, we got to study and actually hold a 15th century pianelle platform shoe, which had just returned from exhibition in Canada.

Unfinished piece of Venetian lace with it’s original pattern at Museo del Merletto.

Paola showings us details of a 16th century Venetian lace.

Paula was over the moon to hold this 15th century platform shoe in her hands.

In addition to this stimulating programme, we thoroughly enjoyed spending quality time with our team. And of course, our learning efforts were eased by Italian food, culture and lovely weather. After the week we reflected on everything we had learned, and got many ideas for our future events.